Berio Points on the curve to find
for piano and 22 instruments
“Points on the curve to find …” sounds like one of the Chemins – perhaps because Berio initially composed the piano part, before adding the orchestral layers. The piece starts off in a great hurry, with an incessant tremolo in the piano, until the music abruptly halts just before the end. Berio explains the title this way: “ … the piano part alone (it is almost always homophonic) can be heard as a curve … on which the other instruments position themselves to reveal and interpret their harmonic characteristics – like a template or drawing, where one adds more lines at various points – they change the sense while also illuminating other latent aspects.”
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Berio Points on the curve to find
Berio Points on the curve to find
for piano and 22 instruments
“Points on the curve to find …” sounds like one of the Chemins – perhaps because Berio initially composed the piano part, before adding the orchestral layers. The piece starts off in a great hurry, with an incessant tremolo in the piano, until the music abruptly halts just before the end. Berio explains the title this way: “ … the piano part alone (it is almost always homophonic) can be heard as a curve … on which the other instruments position themselves to reveal and interpret their harmonic characteristics – like a template or drawing, where one adds more lines at various points – they change the sense while also illuminating other latent aspects.”
Original: $124.95
-65%$124.95
$43.73Product Information
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Description
for piano and 22 instruments
“Points on the curve to find …” sounds like one of the Chemins – perhaps because Berio initially composed the piano part, before adding the orchestral layers. The piece starts off in a great hurry, with an incessant tremolo in the piano, until the music abruptly halts just before the end. Berio explains the title this way: “ … the piano part alone (it is almost always homophonic) can be heard as a curve … on which the other instruments position themselves to reveal and interpret their harmonic characteristics – like a template or drawing, where one adds more lines at various points – they change the sense while also illuminating other latent aspects.”
