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Faure Cello Sonata No. 1 D Minor Op. 109 Cello & Pianomarked & Unmarked Parts
Immediately after finishing his second Violin Sonata op. 108, Fauré started work on a sonata for cello and piano in early 1917, thus realizing a long-conceived plan. In their predisposition and attitude, both works are very closely related. In the cello sonata, a sombre, dramatic opening movement is also followed by a calm, relaxed slow middle movement and a graceful finale. The critical response to the first performances was subdued, but on account of increasing interest in Fauré's complete late chamber music, this sonata has recently been rediscovered as a substantial part of his oeuvre. The Henle Urtext edition constitutes the first critical edition of this work. David Geringas, a master of his craft, supplied the markings in the cello part.
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Faure Cello Sonata No. 1 D Minor Op. 109 Cello & Pianomarked & Unmarked Parts
Faure Cello Sonata No. 1 D Minor Op. 109 Cello & Pianomarked & Unmarked Parts
Immediately after finishing his second Violin Sonata op. 108, Fauré started work on a sonata for cello and piano in early 1917, thus realizing a long-conceived plan. In their predisposition and attitude, both works are very closely related. In the cello sonata, a sombre, dramatic opening movement is also followed by a calm, relaxed slow middle movement and a graceful finale. The critical response to the first performances was subdued, but on account of increasing interest in Fauré's complete late chamber music, this sonata has recently been rediscovered as a substantial part of his oeuvre. The Henle Urtext edition constitutes the first critical edition of this work. David Geringas, a master of his craft, supplied the markings in the cello part.
$10.83
Original: $30.95
-65%Faure Cello Sonata No. 1 D Minor Op. 109 Cello & Pianomarked & Unmarked Parts—
$30.95
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Description
Immediately after finishing his second Violin Sonata op. 108, Fauré started work on a sonata for cello and piano in early 1917, thus realizing a long-conceived plan. In their predisposition and attitude, both works are very closely related. In the cello sonata, a sombre, dramatic opening movement is also followed by a calm, relaxed slow middle movement and a graceful finale. The critical response to the first performances was subdued, but on account of increasing interest in Fauré's complete late chamber music, this sonata has recently been rediscovered as a substantial part of his oeuvre. The Henle Urtext edition constitutes the first critical edition of this work. David Geringas, a master of his craft, supplied the markings in the cello part.
