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Froberger: Works from Copied Sources - Polyphonic Works (Vol. 5, Part 2)
Johann Jacob Froberger (1617–67) enjoyed an outstanding reputation during his lifetime, as his compositional style represented a synthesis of Italian, French and English influences. There is now a growing awareness that Froberger’s significance for keyboard music of the 17th century is comparable only with that of Jan Pieterszoon Sweelinck.
Each volume contains a critical commentary as well as a detailed foreword with sections on the scope and structure of the new edition, the editorial method and performance practice. Information on contemporary instruments, ornamentation and Froberger’s biography is also included.
Each volume contains a critical commentary as well as a detailed foreword with sections on the scope and structure of the new edition, the editorial method and performance practice. Information on contemporary instruments, ornamentation and Froberger’s biography is also included.
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Froberger: Works from Copied Sources - Polyphonic Works (Vol. 5, Part 2)
Froberger: Works from Copied Sources - Polyphonic Works (Vol. 5, Part 2)
Johann Jacob Froberger (1617–67) enjoyed an outstanding reputation during his lifetime, as his compositional style represented a synthesis of Italian, French and English influences. There is now a growing awareness that Froberger’s significance for keyboard music of the 17th century is comparable only with that of Jan Pieterszoon Sweelinck.
Each volume contains a critical commentary as well as a detailed foreword with sections on the scope and structure of the new edition, the editorial method and performance practice. Information on contemporary instruments, ornamentation and Froberger’s biography is also included.
Each volume contains a critical commentary as well as a detailed foreword with sections on the scope and structure of the new edition, the editorial method and performance practice. Information on contemporary instruments, ornamentation and Froberger’s biography is also included.
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Description
Johann Jacob Froberger (1617–67) enjoyed an outstanding reputation during his lifetime, as his compositional style represented a synthesis of Italian, French and English influences. There is now a growing awareness that Froberger’s significance for keyboard music of the 17th century is comparable only with that of Jan Pieterszoon Sweelinck.
Each volume contains a critical commentary as well as a detailed foreword with sections on the scope and structure of the new edition, the editorial method and performance practice. Information on contemporary instruments, ornamentation and Froberger’s biography is also included.
Each volume contains a critical commentary as well as a detailed foreword with sections on the scope and structure of the new edition, the editorial method and performance practice. Information on contemporary instruments, ornamentation and Froberger’s biography is also included.
