✨ New Arrivals Just Dropped!Explore
Hoffmeister Concerto No. 1 for Double Bass and Orchestra with Violin Obblig
Thanks to its wealth of invention, elegant workmanship, and technical and musical challenges, Franz Anton Hoffmeister's Concerto “No. 1” has emerged as the preferred concerto for double bass auditions. Tobias Glöckler's edition leaves no wishes unfulfilled: the double bass part appears in solo and orchestral tuning with piano reductions in D major and C major. Moreover an additional part, written in fingering notation, has been specially designed for use with the “Viennese tuning” customary in Hoffmeister's days. It allows players to use this resonant historical tuning immediately without tedious retraining. Finally, a separate part is also provided for the solo violin appearing in the second movement.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Hoffmeister Concerto No. 1 for Double Bass and Orchestra with Violin Obblig
Hoffmeister Concerto No. 1 for Double Bass and Orchestra with Violin Obblig
Thanks to its wealth of invention, elegant workmanship, and technical and musical challenges, Franz Anton Hoffmeister's Concerto “No. 1” has emerged as the preferred concerto for double bass auditions. Tobias Glöckler's edition leaves no wishes unfulfilled: the double bass part appears in solo and orchestral tuning with piano reductions in D major and C major. Moreover an additional part, written in fingering notation, has been specially designed for use with the “Viennese tuning” customary in Hoffmeister's days. It allows players to use this resonant historical tuning immediately without tedious retraining. Finally, a separate part is also provided for the solo violin appearing in the second movement.
$11.88
Original: $33.95
-65%Hoffmeister Concerto No. 1 for Double Bass and Orchestra with Violin Obblig—
$33.95
$11.88Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Thanks to its wealth of invention, elegant workmanship, and technical and musical challenges, Franz Anton Hoffmeister's Concerto “No. 1” has emerged as the preferred concerto for double bass auditions. Tobias Glöckler's edition leaves no wishes unfulfilled: the double bass part appears in solo and orchestral tuning with piano reductions in D major and C major. Moreover an additional part, written in fingering notation, has been specially designed for use with the “Viennese tuning” customary in Hoffmeister's days. It allows players to use this resonant historical tuning immediately without tedious retraining. Finally, a separate part is also provided for the solo violin appearing in the second movement.
