Lauro Triptico for Guitar
by Antonio Lauro
Edited by John W. Duarte
for solo guitar
These three pieces by Antonio Lauro form a triptych, dedicated to Andres Segovia. Armida is the name of Lauro's god-daughter (many of his pieces refer to his friends and family), Madrugada is a term for the early hours of the morning (before 5.00 a.m.), and La negra, the black (haired) one', is clearly another personal reference. Though the music is to be played expressively, 'romantic bendings' of the tempo are out of character; they should be confined to the points at which Lauro has marked the score with rallentando or ritardando. The original manuscripts contain little left-hand fingering and I have both retained and added to it. All slurs and markings relating to expression are original.
Contents:
1. Armida
2. Madrugada (Cancion Venezolano)
3. La Negra (Vals Venezolano)
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Lauro Triptico for Guitar
Lauro Triptico for Guitar
by Antonio Lauro
Edited by John W. Duarte
for solo guitar
These three pieces by Antonio Lauro form a triptych, dedicated to Andres Segovia. Armida is the name of Lauro's god-daughter (many of his pieces refer to his friends and family), Madrugada is a term for the early hours of the morning (before 5.00 a.m.), and La negra, the black (haired) one', is clearly another personal reference. Though the music is to be played expressively, 'romantic bendings' of the tempo are out of character; they should be confined to the points at which Lauro has marked the score with rallentando or ritardando. The original manuscripts contain little left-hand fingering and I have both retained and added to it. All slurs and markings relating to expression are original.
Contents:
1. Armida
2. Madrugada (Cancion Venezolano)
3. La Negra (Vals Venezolano)
Original: $17.50
-65%$17.50
$6.12Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
by Antonio Lauro
Edited by John W. Duarte
for solo guitar
These three pieces by Antonio Lauro form a triptych, dedicated to Andres Segovia. Armida is the name of Lauro's god-daughter (many of his pieces refer to his friends and family), Madrugada is a term for the early hours of the morning (before 5.00 a.m.), and La negra, the black (haired) one', is clearly another personal reference. Though the music is to be played expressively, 'romantic bendings' of the tempo are out of character; they should be confined to the points at which Lauro has marked the score with rallentando or ritardando. The original manuscripts contain little left-hand fingering and I have both retained and added to it. All slurs and markings relating to expression are original.
Contents:
1. Armida
2. Madrugada (Cancion Venezolano)
3. La Negra (Vals Venezolano)
