Lee: 12 Etudes-Caprices Caractéristiques, Op. 100 for Cello
Virtuoso and expressive, Sebastian Lee's masterpiece for cello!
–Etudes for advanced cellists
–Expressive romantic miniatures
–With piano accompaniment ad lib.
Lee, one of the outstanding cellists and cello pedagogues of the 19th century, did not compose purely technical etudes in his Opus 100, but rather musically appealing performance pieces. These are romantic character pieces with poetic titles such as Unrest - Souvenir - The Thunderstorm - The Gondolier etc. The carefully edited text follows the first edition of 1864 with the original fingerings and bowings. With tips for practising.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Lee: 12 Etudes-Caprices Caractéristiques, Op. 100 for Cello
Lee: 12 Etudes-Caprices Caractéristiques, Op. 100 for Cello
Virtuoso and expressive, Sebastian Lee's masterpiece for cello!
–Etudes for advanced cellists
–Expressive romantic miniatures
–With piano accompaniment ad lib.
Lee, one of the outstanding cellists and cello pedagogues of the 19th century, did not compose purely technical etudes in his Opus 100, but rather musically appealing performance pieces. These are romantic character pieces with poetic titles such as Unrest - Souvenir - The Thunderstorm - The Gondolier etc. The carefully edited text follows the first edition of 1864 with the original fingerings and bowings. With tips for practising.
Original: $19.99
-65%$19.99
$7.00Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Virtuoso and expressive, Sebastian Lee's masterpiece for cello!
–Etudes for advanced cellists
–Expressive romantic miniatures
–With piano accompaniment ad lib.
Lee, one of the outstanding cellists and cello pedagogues of the 19th century, did not compose purely technical etudes in his Opus 100, but rather musically appealing performance pieces. These are romantic character pieces with poetic titles such as Unrest - Souvenir - The Thunderstorm - The Gondolier etc. The carefully edited text follows the first edition of 1864 with the original fingerings and bowings. With tips for practising.
