Marcello Sonata No. 1 In F Major For Violoncello And Basso Continuo
Edited by Annette Oppermann
The sonatas published in 1732 in Amsterdam, London and Paris under Benedetto Marcello's name are to the present day firmly established in the cello repertoire. Although Marcello's authorship is not undisputed – by this time, the composer had already specialised in sacred works – the musical beauty of the sonatas is all the more captivating. This four-movement F major Sonata offers all cellists well-versed in the first four positions a good introduction to the classical literature and to reading tenor clef. In this Urtext edition, the figured continuo part is additionally furnished with an easy-to-play keyboard realisation by Wolfgang Kostujak. The enclosed solo part provides fingerings and bowing marks for the cellist – and thus the optimal provisions for a class recital!
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Marcello Sonata No. 1 In F Major For Violoncello And Basso Continuo
Marcello Sonata No. 1 In F Major For Violoncello And Basso Continuo
Edited by Annette Oppermann
The sonatas published in 1732 in Amsterdam, London and Paris under Benedetto Marcello's name are to the present day firmly established in the cello repertoire. Although Marcello's authorship is not undisputed – by this time, the composer had already specialised in sacred works – the musical beauty of the sonatas is all the more captivating. This four-movement F major Sonata offers all cellists well-versed in the first four positions a good introduction to the classical literature and to reading tenor clef. In this Urtext edition, the figured continuo part is additionally furnished with an easy-to-play keyboard realisation by Wolfgang Kostujak. The enclosed solo part provides fingerings and bowing marks for the cellist – and thus the optimal provisions for a class recital!
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Edited by Annette Oppermann
The sonatas published in 1732 in Amsterdam, London and Paris under Benedetto Marcello's name are to the present day firmly established in the cello repertoire. Although Marcello's authorship is not undisputed – by this time, the composer had already specialised in sacred works – the musical beauty of the sonatas is all the more captivating. This four-movement F major Sonata offers all cellists well-versed in the first four positions a good introduction to the classical literature and to reading tenor clef. In this Urtext edition, the figured continuo part is additionally furnished with an easy-to-play keyboard realisation by Wolfgang Kostujak. The enclosed solo part provides fingerings and bowing marks for the cellist – and thus the optimal provisions for a class recital!
