✨ New Arrivals Just Dropped!Explore
Martinu Rhapsody-Concerto for Viola and Orchestra (1952)
Orchestral scoring : va-solo/2Fl/2Ob/2clarinet/2bassoon/4Hn/2Trp/timpani/percussion/Str
Product format: study score
Binding: Stapled
Pages / Format: 52 - 27,0 x 21,0 cm
“This is perhaps the most well-balanced concertante work by the Czech composer, a composition which seems to have been cast in a unified whole and to have nothing in common with the looseness of formal design suggested by the title, except perhaps the imaginative richness of the thematic transformations. This is a particularly valuable addition to the limited repertoire of works for solo violists.”
(Österreichische Musikzeitschrift)
(Österreichische Musikzeitschrift)
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Martinu Rhapsody-Concerto for Viola and Orchestra (1952)
Martinu Rhapsody-Concerto for Viola and Orchestra (1952)
Orchestral scoring : va-solo/2Fl/2Ob/2clarinet/2bassoon/4Hn/2Trp/timpani/percussion/Str
Product format: study score
Binding: Stapled
Pages / Format: 52 - 27,0 x 21,0 cm
“This is perhaps the most well-balanced concertante work by the Czech composer, a composition which seems to have been cast in a unified whole and to have nothing in common with the looseness of formal design suggested by the title, except perhaps the imaginative richness of the thematic transformations. This is a particularly valuable addition to the limited repertoire of works for solo violists.”
(Österreichische Musikzeitschrift)
(Österreichische Musikzeitschrift)
$19.23
Original: $54.95
-65%Martinu Rhapsody-Concerto for Viola and Orchestra (1952)—
$54.95
$19.23Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Orchestral scoring : va-solo/2Fl/2Ob/2clarinet/2bassoon/4Hn/2Trp/timpani/percussion/Str
Product format: study score
Binding: Stapled
Pages / Format: 52 - 27,0 x 21,0 cm
“This is perhaps the most well-balanced concertante work by the Czech composer, a composition which seems to have been cast in a unified whole and to have nothing in common with the looseness of formal design suggested by the title, except perhaps the imaginative richness of the thematic transformations. This is a particularly valuable addition to the limited repertoire of works for solo violists.”
(Österreichische Musikzeitschrift)
(Österreichische Musikzeitschrift)
