Rachmaninoff 24 Préludes
Dominik Rahmer (Editor)
Marc-André Hamelin (Fingering)
Now available in an Urtext edition.
Based on the Prélude in c sharp minor Op. 3 No. 2 written in 1892 that quickly became world-famous, Rachmaninoff composed a further two collections of Préludes in the years up to 1910. These were also published as a complete volume in 1911. Based on the corresponding models by Chopin, Scriabin and their great forerunner J.S. Bach they comprise a cycle of 24 Préludes in all major and minor keys, but unlike the other ones are not organized systematically according to keys. A final highlight of late Romantic piano music, which no pianist can ignore!
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Rachmaninoff 24 Préludes
Rachmaninoff 24 Préludes
Dominik Rahmer (Editor)
Marc-André Hamelin (Fingering)
Now available in an Urtext edition.
Based on the Prélude in c sharp minor Op. 3 No. 2 written in 1892 that quickly became world-famous, Rachmaninoff composed a further two collections of Préludes in the years up to 1910. These were also published as a complete volume in 1911. Based on the corresponding models by Chopin, Scriabin and their great forerunner J.S. Bach they comprise a cycle of 24 Préludes in all major and minor keys, but unlike the other ones are not organized systematically according to keys. A final highlight of late Romantic piano music, which no pianist can ignore!
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Dominik Rahmer (Editor)
Marc-André Hamelin (Fingering)
Now available in an Urtext edition.
Based on the Prélude in c sharp minor Op. 3 No. 2 written in 1892 that quickly became world-famous, Rachmaninoff composed a further two collections of Préludes in the years up to 1910. These were also published as a complete volume in 1911. Based on the corresponding models by Chopin, Scriabin and their great forerunner J.S. Bach they comprise a cycle of 24 Préludes in all major and minor keys, but unlike the other ones are not organized systematically according to keys. A final highlight of late Romantic piano music, which no pianist can ignore!