Reger Sonatas and Pieces for Clarinet and Piano
Eight years after he had composed his first two Clarinet Sonatas op. 49, Reger confessed in a letter to a friend that he was once again committing “a new crime against harmony and counterpoint.” He was referring to the Sonata for Clarinet and Pianoforte op. 107. Reger made a point of not destroying the chamber music character of the work by having too much virtuosic padding – “Brahms developed classic examples of what the style was meant to be like.” Alongside the sonatas, the Urtext edition also contains two charming “encores”: a Tarantella in g minor and an Album Lead in E flat major. The Sonata op. 49.2 is for clarinet in A. The other pieces are for clarinet in B flat.
- Clarinet Sonata A flat major op. 49,1
- Clarinet Sonata f sharp minor op. 49,2
- Clarinet Sonata B flat major op. 107
- Tarantella g minor WoO II/12
- Album Leaf E flat major WoO II/13
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Reger Sonatas and Pieces for Clarinet and Piano
Reger Sonatas and Pieces for Clarinet and Piano
Eight years after he had composed his first two Clarinet Sonatas op. 49, Reger confessed in a letter to a friend that he was once again committing “a new crime against harmony and counterpoint.” He was referring to the Sonata for Clarinet and Pianoforte op. 107. Reger made a point of not destroying the chamber music character of the work by having too much virtuosic padding – “Brahms developed classic examples of what the style was meant to be like.” Alongside the sonatas, the Urtext edition also contains two charming “encores”: a Tarantella in g minor and an Album Lead in E flat major. The Sonata op. 49.2 is for clarinet in A. The other pieces are for clarinet in B flat.
- Clarinet Sonata A flat major op. 49,1
- Clarinet Sonata f sharp minor op. 49,2
- Clarinet Sonata B flat major op. 107
- Tarantella g minor WoO II/12
- Album Leaf E flat major WoO II/13
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Description
Eight years after he had composed his first two Clarinet Sonatas op. 49, Reger confessed in a letter to a friend that he was once again committing “a new crime against harmony and counterpoint.” He was referring to the Sonata for Clarinet and Pianoforte op. 107. Reger made a point of not destroying the chamber music character of the work by having too much virtuosic padding – “Brahms developed classic examples of what the style was meant to be like.” Alongside the sonatas, the Urtext edition also contains two charming “encores”: a Tarantella in g minor and an Album Lead in E flat major. The Sonata op. 49.2 is for clarinet in A. The other pieces are for clarinet in B flat.
- Clarinet Sonata A flat major op. 49,1
- Clarinet Sonata f sharp minor op. 49,2
- Clarinet Sonata B flat major op. 107
- Tarantella g minor WoO II/12
- Album Leaf E flat major WoO II/13















