Saint-Saens Romances for Horn and Piano; Version for Violoncello and Piano
With Marked and Unmarked String Parts
Camille Saint-Saëns composed his two Romances for Horn for two of the most respected French horn players of the time: Opus 67 in E major from 1866 is dedicated to Henri Chaussier; Opus 36 in F major from 1874 was written for Henri Garigue. Despite the illustrious recipients, they are not virtuosic showpieces but - as the term Romance suggests - short “Songs without words” that fully savor the typical romantic sound of the horn. Alongside the orchestral version, Saint-Saëns also prepared a piano accompaniment for chamber music performances. The first editions also had an alternative part for violoncello, on which this edition is based. Urtext edition with marked and unmarked string parts.
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Saint-Saens Romances for Horn and Piano; Version for Violoncello and Piano
Saint-Saens Romances for Horn and Piano; Version for Violoncello and Piano
With Marked and Unmarked String Parts
Camille Saint-Saëns composed his two Romances for Horn for two of the most respected French horn players of the time: Opus 67 in E major from 1866 is dedicated to Henri Chaussier; Opus 36 in F major from 1874 was written for Henri Garigue. Despite the illustrious recipients, they are not virtuosic showpieces but - as the term Romance suggests - short “Songs without words” that fully savor the typical romantic sound of the horn. Alongside the orchestral version, Saint-Saëns also prepared a piano accompaniment for chamber music performances. The first editions also had an alternative part for violoncello, on which this edition is based. Urtext edition with marked and unmarked string parts.
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Description
With Marked and Unmarked String Parts
Camille Saint-Saëns composed his two Romances for Horn for two of the most respected French horn players of the time: Opus 67 in E major from 1866 is dedicated to Henri Chaussier; Opus 36 in F major from 1874 was written for Henri Garigue. Despite the illustrious recipients, they are not virtuosic showpieces but - as the term Romance suggests - short “Songs without words” that fully savor the typical romantic sound of the horn. Alongside the orchestral version, Saint-Saëns also prepared a piano accompaniment for chamber music performances. The first editions also had an alternative part for violoncello, on which this edition is based. Urtext edition with marked and unmarked string parts.












