Telemann 12 Fantasias TWV 40:14–25
George Philipp Telemann was considered a European celebrity during his lifetime. Self-published in 1735, the 12 Fantasie per il Violino senza Basso TWV 40:14–25 are addressed to “Amateurs,” the music-making middle classes. The cycle is divided into two parts: The first half is committed to the "old", fugal style; the second, according to Telemann himself, consists of "gallantries". Johann Mattheson called them “good ideas,” since in his opinion they did not fit into any other scheme.
The edition offers a practical format with clear notation; in addition, editor Kolja Lessing provides suggestions for ornamentation without interfering with the musical text of the source.
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Telemann 12 Fantasias TWV 40:14–25
Telemann 12 Fantasias TWV 40:14–25
George Philipp Telemann was considered a European celebrity during his lifetime. Self-published in 1735, the 12 Fantasie per il Violino senza Basso TWV 40:14–25 are addressed to “Amateurs,” the music-making middle classes. The cycle is divided into two parts: The first half is committed to the "old", fugal style; the second, according to Telemann himself, consists of "gallantries". Johann Mattheson called them “good ideas,” since in his opinion they did not fit into any other scheme.
The edition offers a practical format with clear notation; in addition, editor Kolja Lessing provides suggestions for ornamentation without interfering with the musical text of the source.
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Description
George Philipp Telemann was considered a European celebrity during his lifetime. Self-published in 1735, the 12 Fantasie per il Violino senza Basso TWV 40:14–25 are addressed to “Amateurs,” the music-making middle classes. The cycle is divided into two parts: The first half is committed to the "old", fugal style; the second, according to Telemann himself, consists of "gallantries". Johann Mattheson called them “good ideas,” since in his opinion they did not fit into any other scheme.
The edition offers a practical format with clear notation; in addition, editor Kolja Lessing provides suggestions for ornamentation without interfering with the musical text of the source.
