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Ysaye Poème élégiaque op. 12 and other Works
Eugène Ysaÿe’s famous 6 Sonatas for Solo Violin op. 27 (HN 776) belong to the canonical repertoire, but the pieces for violin and piano presented here also deserve a place on the music shelf of students and professional violinists. His Poème élégiaque op. 12 – probably the most famous work for this scoring – is to be found in this collection, as are two first editions after newly discovered manuscripts from his estate. An Ysaÿe specialist of the first order, Marie Cornaz contributes a preface that is full of new findings. Editor Ray Iwazumi – very familiar with Ysaÿe’s work as both virtuoso and scholar – presents all of these pieces in Urtext for the first time; his experience likewise proves beneficial for the fingerings in the accompanying marked part.
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Ysaye Poème élégiaque op. 12 and other Works
Ysaye Poème élégiaque op. 12 and other Works
Eugène Ysaÿe’s famous 6 Sonatas for Solo Violin op. 27 (HN 776) belong to the canonical repertoire, but the pieces for violin and piano presented here also deserve a place on the music shelf of students and professional violinists. His Poème élégiaque op. 12 – probably the most famous work for this scoring – is to be found in this collection, as are two first editions after newly discovered manuscripts from his estate. An Ysaÿe specialist of the first order, Marie Cornaz contributes a preface that is full of new findings. Editor Ray Iwazumi – very familiar with Ysaÿe’s work as both virtuoso and scholar – presents all of these pieces in Urtext for the first time; his experience likewise proves beneficial for the fingerings in the accompanying marked part.
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Description
Eugène Ysaÿe’s famous 6 Sonatas for Solo Violin op. 27 (HN 776) belong to the canonical repertoire, but the pieces for violin and piano presented here also deserve a place on the music shelf of students and professional violinists. His Poème élégiaque op. 12 – probably the most famous work for this scoring – is to be found in this collection, as are two first editions after newly discovered manuscripts from his estate. An Ysaÿe specialist of the first order, Marie Cornaz contributes a preface that is full of new findings. Editor Ray Iwazumi – very familiar with Ysaÿe’s work as both virtuoso and scholar – presents all of these pieces in Urtext for the first time; his experience likewise proves beneficial for the fingerings in the accompanying marked part.